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romantic guitar
The early romantic guitar is the guitar of the Classical and Romantic period of music, showing remarkable consistency in the instrument from 1790 to 1830.〔(Stalking the Oldest Six String Guitar )〕 By this time guitars used single strings of six or more (compared to, for example, the Baroque guitar with nine or ten strings paired to make five courses). The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar.
==History==
The first unaltered guitar strung with single strings rather than pairs of strings was a guitar built by Ferdinando Gagliano in 1774, in Naples. This guitar, displayed in the Heyer museum in Cologne before it was dispersed, showed some main differences between the baroque guitar and what would later become the classical guitar. For example, it had 5 single strings, inlaid brass frets on the neck, a long neck (11 frets where the fretboard met the body) relative to string length, a pegged, terminal bridge, and a characteristic figure-8 shaped tuning head. This “missing link” lacks only a sixth string before resembling the distinctive early romantic guitar.〔
The earliest extant six string guitar was built in 1779 by Gaetano Vinaccia (1759 – after 1831)〔''The Classical Mandolin'' by Paul Sparks (1995)〕〔(Early Romantic Guitar )〕 in Naples, Italy. The Vinaccia family of luthiers is known for developing the mandolin. This guitar has been examined and does not show tell-tale signs of modifications from a double-course guitar.〔 Authenticity of guitars before the 1790s is often in question. This also corresponds to when Moretti's 6-string method appeared, in 1792.
France also began to produce six string, single-stringed guitars around the same time, and some years later Spain began as well. The Italian, French, and Spanish six-string guitars all differed from the baroque guitar in more or less the same ways. Other than the differences pointed out in the first single-string guitar above, the guitar gradually had more pronounced curves and a larger body, ornamentation was somewhat restrained and was placed mostly around the edges of the body and sound hole. The decorative rose covering the sound hole was also removed to allow more volume. Frets of the instrument were changed from tied gut to fixed strips of harder material (first ebony or ivory, then metal). And the wooden pegs were later on replaced by metal tuning machines.〔〔Harvey Turnbull, P. Sparks. "The Early Six String Guitar." from the ''Groves Online Dictionary'' article: "Guitar", last updated December 2009〕〔"Early Six String Guitars" from the book ''Dangerous Curves: The Art of the Guitar''by Darcy Kuronen, 2001.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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